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- Marcus Clarke and the TheatreEssay1 May 1975
- Centre of Fierceness: Francis Webb’s Vision of the ArtistEssay1 October 1975
- ‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada CambridgeEssay1 October 1972
- Marcus Clarke: ‘Christianity is Dead’Essay1 October 1973
- Alan SeymourEssay1 May 1974
- Recoil from Disorder: David Ireland’s *The Chantic Bird*Essay1 October 1978
- The Short Story Cycles of Frank MoorhouseEssay1 October 1990
- Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*Essay1 May 1994
- Man, Work and Country: The Production of Henry LawsonEssay1 May 1992
- Origin, Identity and the Body in David Malouf’s FictionEssay1 May 1999
- Ern Malley and His RivalsEssay1 May 2001
- Criminal Transport: George Barrington and the Colonial CureEssay1 May 2002
- Cold War, Home Front : Australian Women Writers and Artists in the 1950sEssay1 May 2002
- The Mysterious Case of Carter Brown, or, Who Really Killed the Australian AuthorEssay1 October 2004
- The Company She Keeps: Demidenko and Imposture in AutobiographyEssay1 October 2004
- Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century AustraliaEssay1 May 2005
- Review of *Bluestocking in Patagonia*, by Anne WhiteheadReview1 October 2005
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Beyond Capricornia: Ambiguous Promise in Alexis WrightEssay1 May 2009
- Patrick White’s Studies for *Voss*Essay30 September 2022