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- The Art of ‘Cracking Normal’Essay1 October 2001
- The Suburban Problem of EvilEssay1 November 1998
- ‘Death and the Woman’ : Looking at Francis Webb’s ‘Lament for St Maria Goretti’Essay1 May 2004
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005
- Judith Wright and the Temporality of CompositionEssay1 October 2007
- Translating *Fredy Neptune*: Interview with Thomas EichhornEssay1 May 2005
- Walk on the Wild Side : Literature in the Time of CholericEssay1 June 2013
- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014
- **Australian Triptych in Chinese-Language Migrant Fiction: Three Tales, Three Periods, Three Images**Essay15 December 2025
- A.D. Hope and the Poetry of AllusionEssay1 October 1979
- Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*Essay31 October 2015
- In Custody: Thomas Keneally and American StoriesEssay30 May 2015
- Jack Lindsay, P.R. Stephensen and the Publication of D.H. Lawrence’s PaintingsEssay1 October 1979
- Society and Nature in Such is LifeEssay1 December 1963
- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- Review of *The Novels of Kylie Tennant* by Margaret DickReview1 December 1966
- Ned Kelly: The Flight of the LegendEssay1 October 1967
- Review of *Australian in Western Imaginative Prose Writings 1600-1960* by Werner P. FriederichReview1 October 1968
- Review of *The Farthing Poet*: A Biography of Richard Hengist Home 1802-84, by Ann BlaineyReview1 May 1969
- Notes on Slessor’s ‘Five Visions’Essay1 October 1969