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Introduction: Why Pastoral?

‘Things are Cast Adrift’: Brian Castro’s Fiction

A Paperback Canon: The Australian Pocket Library

Intricate Knots and Vast Cosmologies: The Poetry of Judith Beveridge

Les Murray: Watching with His Mouth

Irishness as a Literary Condition: Australia and its Irish Reading and Writing Community

Gerald Murnane’s Class: A Review of *Murnane*, by Emmett Stinson

Themes and Imagery in *Voss* and *Riders in the Chariot*

William Baylebridge : Man’s Voice Proclaiming Man

Alan Seymour

‘realer than the Real’ : Francis Webb’s 'Ward Two'

The One-Actor Play in Australian Drama

‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas Shapcott

Australian Literary and Scholarly Publishing in Its International Context

Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War Memorial

Humanitarian Sex: Biopolitics, Ethics, and Aid Worker Memoir

Picturising Patois in *The Sentimental Bloke*

The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947

Decomposing Suburbia: Patrick White’s Perversity

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*