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- Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with JoyceEssay25 February 2018
- The Author of *The Hibernian Father*: An Early Colonial PlaywrightEssay1 December 1966
- Hal Porter’s Comic ModeEssay1 October 1970
- Voss and His Communications: A Structural ContrastEssay1 October 1982
- Review of *Big-Noting: The Heroic Theme in Australian War Writing* by Robin Gerster, and *Frank Honywood, Private: A Personal Record of the 1914-1918 War, by Eric Patridge, introduced and annotated by Geoffrey SerleReview1 May 1989
- Introduction: Why Pastoral?Essay30 June 2015
- ‘Things are Cast Adrift’: Brian Castro’s FictionEssay1 October 1995
- A Paperback Canon: The Australian Pocket LibraryEssay1 May 2000
- Intricate Knots and Vast Cosmologies: The Poetry of Judith BeveridgeEssay1 May 2000
- Les Murray: Watching with His MouthEssay1 October 2001
- Irishness as a Literary Condition: Australia and its Irish Reading and Writing CommunityEssay30 September 2021
- Gerald Murnane’s Class: A Review of *Murnane*, by Emmett StinsonReview25 May 2024
- Themes and Imagery in *Voss* and *Riders in the Chariot*Essay1 June 1964
- William Baylebridge : Man’s Voice Proclaiming ManEssay1 June 1964
- Alan SeymourEssay1 May 1974
- ‘realer than the Real’ : Francis Webb’s 'Ward Two'Essay1 May 1979
- The One-Actor Play in Australian DramaEssay1 May 1981
- ‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas ShapcottEssay1 May 1997
- Australian Literary and Scholarly Publishing in Its International ContextEssay1 May 1999
- Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War MemorialEssay1 May 2007