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- Gay and Lesbian Writing and Publishing in Australia, 1961-2001Essay1 May 2010
- Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*Essay23 May 2022
- A Versatile Career: Ruth Park’s Novels in the American MarketplaceEssay3 October 2024
- Interpretation; or, AI’s Missing AlgorithmEssay22 December 2025
- Technologies of Literature: Reading, Judgment, and the Large Language ModelEssay22 December 2025
- Towards a History of Literary Programming on ABC RadioEssay29 October 2020
- Vincent Buckley, Colonialism and the Problem of Irish-Australian IdentityEssay30 September 2021
- Jack Lindsay’s Historical WritingsEssay1 November 2015
- Reviewing Communism: *Communist Review* (Sydney) 1934-1966: A Checklist of Literary MaterialEssay1 May 1985
- ‘…The Wild Assertion of Vitality’Essay1 October 1977
- Helping Yourself: Marlo Morgan and the Fabrication of Indigenous WisdomEssay1 October 2004
- Indigenous Literature and the Extractive IndustriesEssay1 November 2013
- Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance MeasurementEssay1 November 2013
- Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice TawhaiEssay1 November 2010
- Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of HybridityEssay1 June 2011
- ‘Having Fun with the Professors’: Gwen Harwood and Doctor EisenbartEssay26 February 2017
- ‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp ModernismEssay19 December 2019
- Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018Essay28 April 2020
- Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)Essay5 July 2019
- Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YAEssay23 May 2022