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- ‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.Essay16 November 2016
- Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British ConnectionsEssay1 May 1985
- On Finding ‘Australia’: Mirages, Mythic Images, Historical CircumstancesEssay1 October 1986
- John Grant: Australia’s First ‘Really’ Radical PoetEssay1 May 1994
- ‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative LifeEssay1 May 2009
- Bodies that Speak: Mediating Female Embodiment in Tim Winton’s FictionEssay1 June 2012
- Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)Essay1 October 2014
- Composing *Rayuela*: The Musical Element in Julio Corrazar’s NarrativeEssay1 June 2014
- The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*Essay10 August 2016
- ‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp ModernismEssay19 December 2019
- Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*Essay23 May 2022
- Shirley Hazzard’s *The Transit of Venus* and the Question of ValueEssay30 October 2023
- Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*Essay31 October 2015
- Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*Essay30 May 2015
- Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian GrayEssay1 November 2015
- Review of *Vance Palmer* by Harry HeseltineReview1 October 1971
- Barbara Baynton: Woman as ‘The Chosen Vessel’Essay1 May 1983
- Jack LindsayEssay1 October 1983
- The Poetry of Les MurrayEssay1 May 1985
- Asian Stereotypes in Recent Australian PlaysEssay1 May 1985