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- Beyond Capricornia: Ambiguous Promise in Alexis WrightEssay1 May 2009
- Patrick White’s Studies for *Voss*Essay30 September 2022
- The Ayers Rock Experience: Reading to Recuperate the Lost in David Malouf’s ‘Mrs Porter and the Rock’Essay1 May 2011
- Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive SeniorEssay1 November 2010
- ‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*Essay1 May 2011
- ‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic PrimitivismEssay1 May 2012
- ‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*Essay1 May 2012
- Delight and Revolution: Literary Studies, Aesthetics and IdeologyEssay1 June 2013
- Disciplined Action? The Challenges of English at Canterbury and BeyondEssay1 June 2013
- Once We Were a Discipline: Stray Thoughts on EnglishEssay1 June 2013
- A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. CoetzeeEssay1 June 2010
- In the Club: Australian Crime Fiction in the USA 1943-1954Essay1 October 2012
- Mary Fortune as Sylphid: ‘blond, and silk, and tulle’Essay1 October 2012
- Rediscoverd Lawson Sketch of 1863 ‘Selection Farms’Essay1 October 2012
- Rescuing Reading: Strategies for Arresting the Decline of Reading in Western Australian Newspapers between the WarsEssay1 October 2014
- Wartime Reading: Romantic Era Military Periodicals and the Edinburgh ReviewEssay1 October 2014
- Phonographic Books and the Late Nineteenth-Century ReaderEssay1 October 2014
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016
- *In the Heart of the Country* and Pain: Re-reading Space, Gender and AffectEssay25 February 2018
- Eurydice’s Curse: J. M. Coetzee and the Prospect of DeathEssay25 February 2018