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A Reconsideration of Christina Stead at Work: Fact into Fiction

Helen Garner’s *Monkey Grip*: The Construction of an Author and Her Work

The Ethics of Abjection: Patrick White’s *Riders in the Chariot*

Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard Award

Les Murray: A Selective Checklist

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

All the Way to Cape Grimm: Reflections on Carmel Bird’s Fiction

Mid-Victorian Reading and the Antipodes

Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon Watson

Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern Space

Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*

You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*

Salt Scars: John Kinsella’s Wheatbelt

Reading English

Reading Dickens

The Return of the Fairy: Australian Medievalist Fantasy for the Young

Delight and Revolution: Literary Studies, Aesthetics and Ideology

Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary Narratives

Mary Fortune as Sylphid: ‘blond, and silk, and tulle’

Reading in Public: Irene Longman and Citizenship