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- ‘Our Literary Connexion’: Rosa Praed and George BentleyEssay1 October 2012
- Helen Garner’s EducationEssay28 October 2021
- Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016Essay9 July 2018
- Repairing Rationality: Max Bense and the Automation of Literature in Post-War GermanyEssay22 December 2025
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- Challenging the Editing of the Rachel Henning LettersEssay1 October 1994
- Thea Astley’s *An Item from the Late News*: A Fictional Fifth GospelEssay29 October 2020
- The Ends of Empire: Australian Steampunk and the Reimagining of Euro-ModernityEssay3 December 2018
- Porous Realism and the Precarious Home in Ruth Park’s FictionEssay3 October 2024
- Shame in Ruth Park’s Inner Sydney NovelsEssay3 October 2024
- A Versatile Career: Ruth Park’s Novels in the American MarketplaceEssay3 October 2024
- Les Murray’s Talking MosaicsEssay19 December 2024
- Marcus Clarke, the Two George Eliots, and the History of Two NewspapersEssay31 October 2015
- The Dual Nature of Shaw Neilson’s VisionEssay1 May 1972
- Annual Bibliography of Studies in Australian Literature: 1972Essay1 May 1973
- Interview with Christina SteadEssay1 October 1980
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- ‘Phrases Between Us’: The Poetry of Anna WickhamEssay1 October 2005
- Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice TawhaiEssay1 November 2010
- Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius BarbeauEssay1 November 2010