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‘Taking a Risk’: Disability, Prejudice and Advocacy in the Editing and Publishing History of Ruth Park’s *Swords and Crowns and Rings*

'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special Issue

Interpretation; or, AI’s Missing Algorithm

When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’

Picturising Patois in *The Sentimental Bloke*

A Book By Any Other Name? Towards a Social History of the Book in Aboriginal Australia

The Redemptive Theme in *His Natural Life*

No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850

*Fredy Neptune*: Metonymy and the Incarnate Preposition

Manifesting Literary Feminisms: Nexus and Faultlines

Patrick White, Saul Bellow and the Problem of Literary Value

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*

‘Our Literary Connexion’: Rosa Praed and George Bentley

Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*

**Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**

Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YA

Site Unscene: Medial Ideology and the Literary Interface

Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences Frontier

Challenging the Editing of the Rachel Henning Letters

Themes and Imagery in *Voss* and *Riders in the Chariot*