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- Patrick White’s Four PlaysEssay1 June 1966
- History and Fiction in Rolf Boldrewood’s *The Miner’s Right*Essay1 June 1967
- Henry Kingsley: *Ravenshoe*Essay1 October 1969
- Some Volumes of Selected Poems of the 1970s, IIReview1 May 1982
- ‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great WarEssay1 October 1985
- Asia, Europe and Australian Identity: The Novels of Christopher KochEssay1 May 1982
- A.D. Hope’s Latter-Day Ulysses: ‘The End of a Journey’ and the Literary BackgroundEssay1 October 1982
- God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’Essay1 May 1984
- Rufus Dawes and Changing Narrative Perspectives in *His Natural Life*Essay1 May 1986
- David Malouf’s *Child’s Play* and ‘The Death of the Author’Essay1 May 1988
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Impossible Literary HistoriesEssay1 October 2010
- ‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada CambridgeEssay1 October 1972
- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*Essay1 October 1980
- The Short Story Cycles of Frank MoorhouseEssay1 October 1990
- Boundary Crossing: The Novels of David FosterEssay1 May 1993
- ‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas ShapcottEssay1 May 1997
- A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933Essay1 May 1998
- Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and LettersEssay1 May 1993