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- Back to Whitton Week: Tracking Tom Keneally's CareerEssay30 May 2015
- The ABC and The Sponsorship of Australian Radio Drama: 1932-1951Essay1 October 1982
- Some Developments in Short Fiction, 1969-1980Essay1 October 1981
- Annual Bibliography of Studies in Australian Literature : 1982Essay1 May 1983
- At the Edge: Geography and the Imagination in the Work of David MaloufEssay1 May 1985
- On Finding ‘Australia’: Mirages, Mythic Images, Historical CircumstancesEssay1 October 1986
- Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary CultureEssay1 October 1989
- What Created, What Perceived?: Early Responses to New South WalesEssay1 October 1975
- The Treatment of the Aborigine in Early Australian Fiction, 1840-70Essay1 May 1972
- Christina Stead: An InterviewEssay1 May 1974
- No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850Essay1 October 1996
- Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ PlayEssay1 May 1997
- Short Story Anthologies and ‘the Solid Body of Australian Fiction’Essay1 May 2000
- Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*Essay1 October 2002
- ‘From the Lips of a Lady’: Mrs A.M. Hamilton-Grey’s First Biography of Henry KendallEssay1 May 2004
- The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*Essay1 May 2003
- Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*Essay1 October 2000
- ‘This Country is My Mind’: Les Murray’s Poetics of PlaceEssay1 October 2001
- ‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic OmerosEssay1 October 2001
- O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and CelebrityEssay1 October 2004