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- Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical NovelEssay1 May 1986
- Reopening the Case of Ada CambridgeEssay1 October 1987
- Vance and Nettie Palmer: The Literary JournalismEssay1 October 1973
- Kate Baker, ‘Standard-Bearer’Essay1 May 1980
- Louisa and Henry and Gertie and the Drover’s WifeEssay1 May 1980
- The One-Actor Play in Australian DramaEssay1 May 1981
- Lesbia Harford’s Homefront Warrior and Women’s World War I WritingEssay1 May 1995
- ‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard EldershawEssay1 May 1995
- A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933Essay1 May 1998
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998
- ‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul SolangesEssay1 May 1998
- Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned KellyEssay1 May 2002
- Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley WalkerEssay1 May 2004
- Not Reading the Nation: Australian Readers of the 1890sEssay1 May 2006
- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005
- Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’Essay1 May 2007
- Where Literary Studies Is, and What It DoesEssay1 June 2013
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012
- The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*Essay1 May 2012
- Rescuing Reading: Strategies for Arresting the Decline of Reading in Western Australian Newspapers between the WarsEssay1 October 2014