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- Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*Essay1 October 2000
- First Steps toward a History of the Mid-Victorian Novel in Colonial AustraliaEssay1 May 2006
- The Literary Destruction of Canberra: Utopia, Apocalypse and the National CapitalEssay1 May 2009
- Asia and the Contemporary Australian NovelEssay1 October 1984
- A.D. Hope and the Poetry of AllusionEssay1 October 1979
- ‘Interest’ in Les A. MurrayEssay1 October 1989
- Barry Oakley and the Satiric ModeEssay1 May 1975
- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- Un-Australian Activities?: Mary Gilmore’s Versions from the SpanishEssay1 October 1997
- ‘Deadly’ Work: Reading the Short Fiction of Archie WellerEssay1 October 1993
- ‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*Essay1 May 1991
- Helen Garner’s *Monkey Grip*: The Construction of an Author and Her WorkEssay1 October 1992
- A. D. Hope and the Apocalyptic Splendour of the SexesEssay1 October 2000
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*Essay1 October 2007
- Delight and Revolution: Literary Studies, Aesthetics and IdeologyEssay1 June 2013
- A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. CoetzeeEssay1 June 2010
- In the Club: Australian Crime Fiction in the USA 1943-1954Essay1 October 2012
- ‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of TranslationEssay1 October 2013
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016