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- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)Essay1 May 1999
- ‘Roost High and Crow Low’: The Legacy of Barry AndrewsEssay1 May 2000
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- ‘Years Later’: Temporality and Closure in Peter Carey’s NovelsEssay1 October 1999
- Singing up Country in the Poetry of Judith Wright and Pablo NerudaEssay1 November 2008
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012
- ‘How to encourage our literature’: Australian Fiction in the Australian Public LibraryEssay1 May 2012
- English Studies in Australia: Repositioning the SubjectEssay1 June 2013
- Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient MusicEssay1 June 2014
- Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early FictionEssay1 November 2011
- ‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary LivesEssay1 October 2011
- Books as Gifts: The Meaning and Function of a Personal LibraryEssay1 October 2012
- Wartime Reading: Romantic Era Military Periodicals and the Edinburgh ReviewEssay1 October 2014
- The Language of Australian LiteratureEssay1 June 1967
- Review of *Louisa* by Brian MatthewsReview1 May 1988
- The Family Face: Martin Boyd’s Art of MemoirEssay1 May 1976
- Review of *An Introduction to the Australian Novel 1830-1930* by Barry ArgyleReview1 October 1973
- Review of *White Apology and Apologia: Australian Novels of Reconciliation* by Liliana ZavagliaReview28 April 2020