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Daemonic Currents in Dorothy Porter’s Poetry

Sex and the City: New Novels by Women and Middlebrow Culture at Mid-Century

Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*

Rescuing Reading: Strategies for Arresting the Decline of Reading in Western Australian Newspapers between the Wars

Shannon’s Information Theory, AI, and Fiction

‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical Reception

Displaced Homelands in Gerald Murnane’s *Inland*

Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*

Writing Disability in Australia: Transmedial Potentials for Illness/Recovery Narratives

Fantasising the Nation for Child Readers in Early Australian Fairy Tales

Introduction: The Uses of Irish-Australian Literature

‘Taking a Risk’: Disability, Prejudice and Advocacy in the Editing and Publishing History of Ruth Park’s *Swords and Crowns and Rings*

Porous Realism and the Precarious Home in Ruth Park’s Fiction

Perceptions of the Enemy in Australian War Literature

Transforming *Jane Eyre*: Its Australian Stage Adaptations

A.G. Stephens: The Critical *Credo*

The Composition of *Geoffry Hamlyn*: The Legend and the Facts

Facey’s A Fortunate Life and Traditional Oral Narratives

*Unspoken Thoughts*: A Reassessment of Ada Cambridge

Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary Culture