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- Barry Oakley and the Satiric ModeEssay1 May 1975
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Dreams and Visions in *The Tree of Man*Essay1 October 1973
- ‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard EldershawEssay1 May 1995
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- Un-Australian Activities?: Mary Gilmore’s Versions from the SpanishEssay1 October 1997
- Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and LettersEssay1 May 1993
- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991
- Australian Literary and Scholarly Publishing in Its International ContextEssay1 May 1999
- Origin, Identity and the Body in David Malouf’s FictionEssay1 May 1999
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- Gender and Race Relations in Elizabeth O’Conner’s Northern HomesteadsEssay1 May 2003
- ‘Talking with Yagan’s Head’: The Poetry of John MateerEssay1 October 2000
- ‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century AustraliaEssay1 May 2007
- Unbecoming Australians : Crisis and Community in the Australian Villa/ge BookEssay1 October 2007
- Review of *Bluestocking in Patagonia*, by Anne WhiteheadReview1 October 2005
- ‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern ReaderEssay1 May 2006
- Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and CanadaEssay1 October 2006
- Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’Essay1 May 2007