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Narrative Perspective and Cultural History in *Robbery Under Arms*

‘The Orange Tree’ and the Limitations of Poetry

Old Orders, New Lands: The Earth Spirit in Picnic at Hanging Rock

Miles Franklin, *My Brilliant Career* and the Female Tradition

Satyrs in the Top Paddock: Metaphysical Pastoral in Australian Poetry

Gossip and History in the Novels of Brian Penton and Thomas Keneally

Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in English

‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les Murray

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

Un-Australian Activities?: Mary Gilmore’s Versions from the Spanish

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*

Helen Garner’s *Monkey Grip*: The Construction of an Author and Her Work

Neither Here Nor There: Suburban Voices in Australian Poetry

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

Excavating a Bonanza: Sarah Campion

The Literary Reputation of Adam Lindsay Gordon

The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s Movement

Obscene and Over Here : National Sex and the Love Me Sailor Obscenity Trial

Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*