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Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne

The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth Century

Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and Aesthetics

Displaying the Monster: Patrick White, Sexuality, Celebrity

In the Beginning: David Malouf’s *An Imaginary Life*

Honour the Single Soul: Homage to Randolph Stow (1936-2010)

Composing *Rayuela*: The Musical Element in Julio Corrazar’s Narrative

R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary Culture

Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of Hybridity

‘Having Fun with the Professors’: Gwen Harwood and Doctor Eisenbart

Jack Lindsay and MI5: More than Surveillance

Australia’s ‘First’ Dramatists

Patrick White, Some Lines of Development: *The Living and the Dead* to *The Solid Mandala*

The Chant of Thomas Keneally

Review of *Xavier Herbert* by Laurie Clancy

Adam McCay and Sydney’s Literary Bohemia (1911-1947)

Lawson, the *Bulletin* and the Short Story

James McAuley’s Captain Quiros

Australian Bards and British Reviewers

Myth and the Poetry of A. D. Hope