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- The Time of Biopolitics in the Settler ColonyEssay1 June 2011
- Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes HerselfEssay1 June 2014
- Composing *Rayuela*: The Musical Element in Julio Corrazar’s NarrativeEssay1 June 2014
- The Creation of Rachel Henning: Personal Correspondence to Publishing PhenomenonEssay1 October 2012
- Literary Aspiration and the Papers of William Gosse HayEssay9 July 2018
- **Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**Essay30 April 2021
- **The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**Essay30 April 2021
- Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences FrontierEssay30 October 2023
- Literary Festivals and Cultural ConsumptionEssay1 May 2009
- Themes and Imagery in *Voss* and *Riders in the Chariot*Essay1 June 1964
- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- D. H. Lawrence’s AustraliaEssay1 October 1970
- Literary Nationalism and the 1890sEssay1 May 1971
- Barbara Baynton: Woman as ‘The Chosen Vessel’Essay1 May 1983
- War in Post-1960s Fiction: Johnston, Stow, McDonald, Malouf and Les MurrayEssay1 October 1985
- Asian Stereotypes in Recent Australian PlaysEssay1 May 1985
- Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*Essay1 October 1986
- John Tranter: Absence in FlightEssay1 October 1986
- A Survey of Australian Utopian and Dystopian FictionEssay1 May 1987
- Family and the Father in the Poetry of Les A. MurrayEssay1 May 1988