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The Company She Keeps: Demidenko and Imposture in Autobiography

Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*

Amanda Lohrey's *Vertigo*: An Australian Pastoral

Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early Fiction

Sex and the City: New Novels by Women and Middlebrow Culture at Mid-Century

Wilde Identifications: Queering the Sexual and the National in the Work of Eve Langley

Indigenous Literature and the Extractive Industries

Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney Literatures

‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp Modernism

The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*

‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.

Review of *Elizabeth Harrower: Critical Essays*, edited by Elizabeth McMahon and Brigitta Olubas

Review of *Henry Lawson: The Grey Dreamer* by Denton Prout

Review of *Australia* by Anthony Trollope, edited by P.D. Edwards and R.B. Joyce

Short Notices

Review of *Modern Australian Poetry, 1920-1970: A Guide to Information Sources* by Herbert C. Jaffa

A Gift Recovered: A Henry Lawson Inscription

Review of *Australia on the Popular Stage: 1829-1929* by Margaret Williams

Review of *Mapped But Not Known: The Australian Landscape of the Imagination*, ed. P .R. Eadcn and F.H. Mares

Review of *The Making of Australian Drama: A Historical and Critical Survey from the 1830s to the 1970s* by Leslie Rees