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On Not Being Australian: Mudrooroo and Demidenko

Mudrooroo: Crafty Imposter or Rebel with a Cause

Review of *Patrick White* by Brian Kiernan

Review of *The Postcolonial Eye: White Australian Desire and the Visual Field of Race*, by Alison Ravenscroft

**Aboriginal Mobilities and Colonial Serial Fiction**

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth Jolley

A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*

‘Cutting off the Head of the King’: Sovereignty, Feudalism, Fantasy

What is Australian Popular Fiction?

Research in Progress in Australian Literature [1981]

Review of *Exiles at Home: Australian Women Writers 1925-1945* by Drusilla Modjeska

Review of *Christina Stead: A Life of Letters* by Chris Williams, *Christina Stead* by Diana Brydon, *Christina Stead* by Susan Sheridan, and *Christina Stead's Heroine: The Changing Sense of Decorum* by Kate Macomber Stern

Annual Bibliography of Studies in Australian Literature: 2005

Review of *Performance and Cosmopolitics: Cross-Cultural Transactions in Australasia* by Helen Gilbert and Jacqueline Lo, and *Unsettling Space: Contestations in Contemporary Australian Theatre* by Joanne Tompkins

Nationalising the Author: The Celebrity of Peter Carey

Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*

Introduction: The Uses of Irish-Australian Literature

Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016

Annual Bibliography of Studies in Australian Literature: 1988