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- Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*Essay7 December 2016
- The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*Essay10 August 2016
- Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018Essay28 April 2020
- Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’Essay30 September 2022
- Textual Encounters of the Bird Kind: Dal Stivens and the Night ParrotEssay18 December 2023
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- Les Murray’s Talking MosaicsEssay19 December 2024
- Out from the Shadows: The Realist Writers’ Movement, 1944-1970, and Communist Cultural DiscourseEssay1 October 1992
- Gay and Lesbian Writing and Publishing in Australia, 1961-2001Essay1 May 2010