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- True Tales and False Alike Work by Suggestion: The Poetry of A.D. HopeEssay1 October 1990
- Australian Criticism in ‘Transition’Essay1 May 1993
- Re-Writing Woman: Genre Politics and Female Identity in Kate Grenville’s *Dreamhouse*Essay1 May 1993
- **Contingencies of Meaning Making: English Teaching and Literary Sociability**Essay29 October 2020
- The Art of ‘Cracking Normal’Essay1 October 2001
- Reading *My Brilliant Career*Essay1 October 2002
- John Foulcher’s DemocracyEssay1 October 1999
- On Not Being Australian: Mudrooroo and DemidenkoEssay1 October 2004
- Dancing ‘on Bits of Paper’ : Les Murray’s SoundscapesEssay1 October 2001
- Judith Wright and the Temporality of CompositionEssay1 October 2007
- ‘Some Presence Inevitably Shows through’: Harold Stewart’s Haiku VersionsEssay1 October 2006
- Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’Essay30 September 2022
- English Studies: A Personal JourneyEssay1 June 2013
- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014
- Site Unscene: Medial Ideology and the Literary InterfaceEssay19 December 2019
- Review of *Learning to Live with Climate Change: From Anxiety to Transformation* by Blanche VerlieReview11 December 2022
- Rewriting the Past: Exploration and Discovery in *The Transit of Venus*Essay1 May 1992
- Gerald Murnane’s Class: A Review of *Murnane*, by Emmett StinsonReview25 May 2024
- 'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George JohnstonEssay1 June 2016
- ‘Living in Sin’: Money and Morals in ‘Virtue’, a Play by Stella Miles FranklinEssay16 November 2016