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- Editing A.D. HopeEssay1 October 1986
- The Practice of Pastoral Empathy in Wordsworth’s Salisbury Plain PoemsEssay30 June 2015
- Thomas Keneally: A ChecklistEssay1 May 1979
- The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*Essay1 May 1993
- Australian Invention of Chinese Invasion: A Century of Paranoia, 1888-1988Essay1 May 1995
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- In the Beginning: David Malouf’s *An Imaginary Life*Essay1 October 2005
- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006
- The Time of Biopolitics in the Settler ColonyEssay1 June 2011
- Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial PoetryEssay1 October 2010
- ‘Having Fun with the Professors’: Gwen Harwood and Doctor EisenbartEssay26 February 2017
- Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*Essay7 December 2016
- The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*Essay10 August 2016
- Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018Essay28 April 2020
- Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’Essay30 September 2022
- Textual Encounters of the Bird Kind: Dal Stivens and the Night ParrotEssay18 December 2023
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- Les Murray’s Talking MosaicsEssay19 December 2024
- Out from the Shadows: The Realist Writers’ Movement, 1944-1970, and Communist Cultural DiscourseEssay1 October 1992