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Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*

'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George Johnston

Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*

‘Bushranger’ and ‘Croppy’ : A Footnote to Convict Jargon and Euphemism

John Greenway on Folksong - A Reply

Review of *Miles Franklin* by Marjorie Barnard

Notes on Slessor’s ‘Five Visions’

‘Colonial Literature for Colonial Readers!’

Authors’ Statements [Peter Cowan]

Editors’ Statements [George Turner]

Review of *On Dearborn Street* by Miles Franklin

A Governor, a Farmer, an Emperor: Rome and Australia in Geoffrey Lehmann

A New Version of Pastoral: Developments in Michael Wilding’s Fiction

The 20th Anniversary of *ALS*: Comments by A.D. Hope, Leonie Kramer and the Editor

‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great War

[Statements about War Literature]

Review of *Unbridling the Tongues of Women. A Biography of Catherine Helen Spence*, by Susan Magarey

From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian Fiction

Catherine Martin, Writer: Her Life and Ideas

Family and the Father in the Poetry of Les A. Murray