Your search for “women's” found 371 results

Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary History

The Company She Keeps: Demidenko and Imposture in Autobiography

Mid-Victorian Reading and the Antipodes

Unbecoming Australians : Crisis and Community in the Australian Villa/ge Book

‘Will This be Your Poem, or Mine?’: The Give and Take of Story

Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*

The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You Know

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of Representation

Finding Home: The Poetry of Margaret Scott

The Golden Fish: On Reading J. S. Harry

Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

Alien Intoxications: The Aggressions of a Brisbane Opium Smoker

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’

Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth Century

‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional Readers

The Return of the Fairy: Australian Medievalist Fantasy for the Young

‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic Primitivism

The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*