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- The Return of the Fairy: Australian Medievalist Fantasy for the YoungEssay1 October 2011
- ‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic PrimitivismEssay1 May 2012
- ‘How to encourage our literature’: Australian Fiction in the Australian Public LibraryEssay1 May 2012
- The Politics of English Studies in IndiaEssay1 June 2013
- Daemonic Currents in Dorothy Porter’s PoetryEssay1 May 2010
- Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary NarrativesEssay1 June 2010
- ‘Cutting off the Head of the King’: Sovereignty, Feudalism, FantasyEssay1 October 2011
- Books as Gifts: The Meaning and Function of a Personal LibraryEssay1 October 2012
- Sex and the City: New Novels by Women and Middlebrow Culture at Mid-CenturyEssay1 October 2012
- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012
- Rescuing Reading: Strategies for Arresting the Decline of Reading in Western Australian Newspapers between the WarsEssay1 October 2014
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- On Not Having Sex: Sumner Locke Elliott and Queer HistoryEssay19 December 2019
- Annual Bibliography of Studies in Australian Literature: 1988Essay1 May 1989
- Thea Astley’s *An Item from the Late News*: A Fictional Fifth GospelEssay29 October 2020
- Annual Bibliography of Studies in Australian Literature: 1995Essay1 May 1996
- **Aboriginal Mobilities and Colonial Serial Fiction**Essay30 April 2021
- Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*Essay23 May 2022
- Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*Essay11 December 2022