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‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind

The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*

Technologies of Literature: Reading, Judgment, and the Large Language Model

Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the Curriculum

The Hero’s ‘Fear of Freedom’ in Keneally

Introduction

Aboriginality in *Ethel Turner’s Seven Little Australians* and Its Translation into German

*The Young Cosima*

Some Volumes of Selected Poems of the 1970s, II

War in Post-1960s Fiction: Johnston, Stow, McDonald, Malouf and Les Murray

Family and the Father in the Poetry of Les A. Murray

Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth Century

Dreams and Visions in *The Tree of Man*

The ‘Literary Photographs’ of Henry Lawson

The Short Story Cycles of Frank Moorhouse

Sonnet Sequences in Australia (1832-1990): A Preliminary Checklist

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Randolph Stow’s *Outrider* and the French Voyager Poem

Enlarging Our Experiments with Narrative: John A. Scott’s Triology with Annotations

Ern Malley and His Rivals