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- ‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*Essay1 May 1991
- That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*Essay1 October 1992
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-PetersenEssay1 May 2001
- Dorothy Hewett’s Faith in DoubtEssay1 May 2001
- About Face: Asian-Australians at HomeEssay1 May 2002
- A. D. Hope and the Apocalyptic Splendour of the SexesEssay1 October 2000
- Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*Essay1 October 2000
- The Great Southern Land: Asian-Australian Women Writers Re-View the Australian LandscapeEssay1 October 2003
- Unbecoming Australians : Crisis and Community in the Australian Villa/ge BookEssay1 October 2007
- ‘Will This be Your Poem, or Mine?’: The Give and Take of StoryEssay1 October 2007
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- An Indian without a CountryEssay1 June 2009
- Tainted Testimony : The Khouri AffairEssay1 October 2004
- Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*Essay1 October 2009
- Reading DickensEssay1 October 2014
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012