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- Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*Essay1 October 2000
- *Fredy Neptune*: Metonymy and the Incarnate PrepositionEssay1 October 2001
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- Demidenko/Darville: A Ukrainian-Australian Point of ViewEssay1 October 2004
- The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth CenturyEssay1 May 2006
- Annual Bibliography of Studies in Australian Literature: 2005Essay1 May 2006
- ‘But who considers woman day by day?’: Australian Women Poets and World War IEssay1 May 2007
- ‘That Wild Run to London’ : Henry and Bertha Lawson in EnglandEssay1 October 2007
- Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and AestheticsEssay1 November 2008
- First Steps toward a History of the Mid-Victorian Novel in Colonial AustraliaEssay1 May 2006
- Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950Essay1 October 2005
- The Time of Biopolitics in the Settler ColonyEssay1 June 2011
- Australian Gothic: Theatre and the Northern TurnEssay1 June 2012
- Indigenous Literature and the Extractive IndustriesEssay1 November 2013
- Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes HerselfEssay1 June 2014
- Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’Essay1 November 2013
- ‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp ModernismEssay19 December 2019
- Annual Bibliography of Studies in Australian Literature: 1996Essay1 May 1997
- Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*Essay30 September 2022
- Defining the Field of Irish-Australian Literature: Challenges and ConundrumsEssay30 September 2021