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- Shirley Hazzard : Dislocation and ContinuityEssay1 October 1979
- Review of *Arcady in Australia: The Evocation of Australia in Nineteenth Century Literature* by Coral LansburyReview1 May 1972
- Review of *From Deserts the Prophets Come: The Creative Spirits in Australia* by Geoffrey SerleReview1 May 1974
- D. H. Lawrence in Australia: Some Recently Published LettersEssay1 May 1980
- Art, Life and Authority in Australian Literary Culture: Marr and WhiteEssay1 October 1992
- Ada Cambridge and the First *Thirty Years*Essay1 May 1990
- Looking Beyond the Subject: Some Recent BiographiesReview1 May 1995
- ‘The Critics Made Me’: The Receptions of Thomas Keneally and Australian Literary CultureEssay1 May 1995
- Edgy Laughter: Women and Australian HumourEssay1 October 1993
- The Scarlet-Clad Woman: Munch’s Influence in *A Fringe of Leaves*Essay1 May 1999
- Introduction: AI and the Future of Literary StudiesEssay22 December 2025
- **Australian Triptych in Chinese-Language Migrant Fiction: Three Tales, Three Periods, Three Images**Essay15 December 2025
- Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016Essay9 July 2018
- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- The Prototype of Richard MahonyEssay1 May 1970
- A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)Essay1 May 1983
- Narrative Perspective and Cultural History in *Robbery Under Arms*Essay1 May 1973
- *Capricornia*: Recovering the Imaginative Vision of a Polemical NovelEssay1 May 1981
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- ‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*Essay1 May 1991