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- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- Brereton, the *Bulletin*, and A.G. StephensEssay1 June 1963
- Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*Essay1 October 2000
- Professing the Popular: Political Fiction circa 2006Essay1 October 2007
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- The Eco-Humanities as Literature: A New Genre?Essay1 October 2008
- Reading DickensEssay1 October 2014
- The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862Essay1 October 2014
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- The Return of the Fairy: Australian Medievalist Fantasy for the YoungEssay1 October 2011
- Displaced Selves in Contemporary Fiction, or the Art of Literary ActivismEssay1 November 2013
- Irish-Australian Literature: Ghosts, Genealogy, TraditionEssay30 September 2021
- ‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of TranslationEssay1 October 2013
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of CloudstreetEssay26 February 2017
- Annual Bibliography of Studies in Australian Literature : 1984Essay1 May 1985
- Out from the Shadows: The Realist Writers’ Movement, 1944-1970, and Communist Cultural DiscourseEssay1 October 1992