Issues

Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)
Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the Curriculum
Review of *Christos Tsiolkas: The Utopian Vision*, by Jessica Gildersleeve

19 September 2017

26 February 2017

‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930s
Christina Stead’s Earliest Publications
Christina Stead’s Student Publications
The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*
‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*
‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*
Politics and Passion in Stead’s Late Novels
Introduction
The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*
Repetition and Christina Stead’s *The Man Who Loved Children*
Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*
‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind

Volume 31, No. 6

8 December 2016

‘Living in Sin’: Money and Morals in ‘Virtue’, a Play by Stella Miles Franklin
‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.

16 November 2016

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*
Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.

10 August 2016

Review of *The Red Professor: The Cold War Life of Fred Rose*
'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George Johnston
Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler Colonialism

1 June 2016

One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983
Interview with Kerry Reed-Gilbert
Place, History and Story: Tony Birch and the Yarra River

5 May 2016

15 February 2016

Jack Lindsay and MI5: More than Surveillance
‘The Fullness of Life’: The Poetics and Politics of Jack Lindsay
Jack Lindsay’s Historical Writings
‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold War
‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac
Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian Gray
Aboriginality in *Ethel Turner’s Seven Little Australians* and Its Translation into German
Australian Literary Studies in the 1940s: The Commonwealth Literary Fund Lectures
The Fortunate Flâneuse

1 November 2015

Introduction
Before the Nation: Rolf Boldrewood and the Problem of Scale in National Literatures
Marcus Clarke, the Two George Eliots, and the History of Two Newspapers
‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short Stories
Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*
Francis Adams: Realism and Sensation in the 1880s
The Tennysons in Literary Adelaide
Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*
Reading Byron in Kororāreka: *The Journal of Ensign Best*
Transforming *Jane Eyre*: Its Australian Stage Adaptations

This special issue was edited by Susan K. Martin and Kylie Mirmohamadi.

31 October 2015