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- Les Murray: Watching with His MouthEssay1 October 2001
- Rewriting the Past: Exploration and Discovery in *The Transit of Venus*Essay1 May 1992
- Capricornia : Seasonal, Diurnal and Colour PatternsEssay1 October 1979
- Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian GrayEssay1 November 2015
- The Reconstruction of Self: Background and Design in George Johnston’s Meredith TrilogyEssay1 October 1984
- Discoveries and Transformations: Aspects of David Malouf’s WorkEssay1 May 1984
- Review of *Springtime in Taranaki: An Autobiography of Youth* by Douglas StewartReview1 May 1985
- Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*Essay1 October 1986
- Shirley Hazzard: Transit and *The Bay of Noon*Essay1 October 1987
- Patrick White: Misconceptions about Jung’s InfluenceEssay1 October 1979
- *Etymspheres*Essay1 October 1977
- ‘The Orange Tree’ and the Limitations of PoetryEssay1 May 1978
- The Poetic Narrative of R.D. FitzGerald’s ‘Between Two Tides’Essay1 October 1978
- Louisa and Henry and Gertie and the Drover’s WifeEssay1 May 1980
- Boundary Crossing: The Novels of David FosterEssay1 May 1993
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- Enlarging Our Experiments with Narrative: John A. Scott’s Triology with AnnotationsEssay1 May 1992
- That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*Essay1 October 1992
- Review of *God's Fool: The Life and Poetry of Francis Webb* by Michael Griffith, and *Spirit in Exile: Peter Porter and His Poetry* by Bruce BennettReview1 October 1992