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- Challenging Voices: Tracing the Problematic Role of Testimony in Political ChangeEssay1 October 2006
- **‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**Essay30 April 2021
- The Hero’s ‘Fear of Freedom’ in KeneallyEssay1 October 1972
- The Traditionalism of James McAuleyEssay1 October 1983
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*Essay1 October 1990
- Janette Turner Hospital’s Radical Re-Writing: Oedipal CharadesEssay1 October 1996
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- ‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas ShapcottEssay1 May 1997
- Ages of Reason: Ethics, Metaphor and the Work of Jennifer MaidenEssay1 May 1996
- Dorothy Hewett’s Faith in DoubtEssay1 May 2001
- Salt Scars: John Kinsella’s WheatbeltEssay1 June 2012
- ‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into ItalianEssay25 February 2018
- *Unspoken Thoughts*: A Reassessment of Ada CambridgeEssay1 May 1989
- ‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’Essay1 May 1992
- The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*Essay1 May 1993
- ‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian MasqueradeEssay1 May 2000
- Coetzee’s WomanizingEssay25 February 2018
- Jack Lindsay and MI5: More than SurveillanceEssay1 November 2015
- Interview with Thomas Keneally, Manly, 27 June 2012Essay30 May 2015