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- Long Memoried Women: Oodgeroo Noonuccal and Jamaican Poet, Louise BennettEssay1 November 1994
- Allegory, Space, Colonialism: *Remembering Babylon* and the Production of Colonial HistoryEssay1 October 1995
- ‘One of Them Kinds of Kids’: The Lives of Les MurrayEssay1 May 2002
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005
- ‘Where the Dead Men Lie’Essay1 May 2006
- Miles Franklin and ‘The Survivors’Essay1 May 2011
- Listening between the Lines: Introduction: Exploring Interdisciplinarity between Music and LiteratureEssay1 June 2014
- **Review of *Planetarity from Below: Decolonial Ecopoetics of Migration and Diaspora* by Emily Yu Zong**Review30 September 2026
- The Drama of the Separate Self in Rae Desmond Jones’ The Mad VibeEssay1 October 1979
- The Communion of Clouds: Becoming-Woman in Coetzee’s *Waiting for the Barbarians*Essay25 February 2018
- Christina Stead’s ‘Drama of the Person’Essay1 October 1987
- Review of *Louisa* by Brian MatthewsReview1 May 1988
- Shirley Hazzard : Dislocation and ContinuityEssay1 October 1979
- Review of *The Mystery of Unity: Theme and Technique in the Novels of Patrick White* by Patricia A. MorleyReview1 May 1973
- Review of *The Stenhouse Circle: Literary Life in Mid-Nineteenth Century Sydney* by Ann-Mari JordensReview1 May 1980
- Ada Cambridge and the First *Thirty Years*Essay1 May 1990
- While My Name Is Remembered…Essay1 November 1994
- Alan Wearne: InterviewEssay1 November 1998
- Review of *Christina Stead: Satirist*, by Anne Pender, and *The Enigmatic Christina Stead: A Provocative Re-Reading*, by Teresa PetersenReview1 May 2003
- The Scarlet-Clad Woman: Munch’s Influence in *A Fringe of Leaves*Essay1 May 1999