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Ada Cambridge and the First *Thirty Years*

While My Name Is Remembered…

Alan Wearne: Interview

Review of *Christina Stead: Satirist*, by Anne Pender, and *The Enigmatic Christina Stead: A Provocative Re-Reading*, by Teresa Petersen

The Scarlet-Clad Woman: Munch’s Influence in *A Fringe of Leaves*

Barbara Hanrahan’s Novels

A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’

Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern Space

‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*

Once We Were a Discipline: Stray Thoughts on English

Cosmopolitanism, Sovereignty and Medievalism

Rediscoverd Lawson Sketch of 1863 ‘Selection Farms’

Reading in Public: Irene Longman and Citizenship

Repetition and Christina Stead’s *The Man Who Loved Children*

Getting Started: The Emergence of Christina Stead’s Early Fiction

A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging Phantoms