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Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

Eurydice’s Curse: J. M. Coetzee and the Prospect of Death

The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*

Revaluing Memoir and Rebuilding Mothership in Maggie Nelson’s *The Argonauts*

Annual Bibliography of Studies in Australian Literature: 1983

Mal du Pays: Symbolic Geography in the Work of Randolph Stow

Annual Bibliography of Studies in Australian Literature: 1999

Annual Bibliography of Studies in Australian Literature: 2003

Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*

‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay Fiction

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

Interpretation; or, AI’s Missing Algorithm

‘The Kingdom of Dust’: *Voss* as Planetary Epic

Writing Places in the Spaces of AI

‘Listen        to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie Scarce

Thea Astley’s *An Item from the Late News*: A Fictional Fifth Gospel

Before the Nation: Rolf Boldrewood and the Problem of Scale in National Literatures

Annual Bibliography of Studies in Australian Literature: 1978

Literary Criticism in Australia: A Change of Critical Paradigms?

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital