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Coppin - How Great? Alec Bagot’s *Father of the Australian Theatre*

A Checklist of Australian Literature of World War I

The Chant of Thomas Keneally

A Checklist of Black Australian Literature

Tranter’s Plots

Vance Palmer and the Unguarded Awareness

The Palmer Abridgement of ‘Such is Life’

Poetry into Life, Life into Poetry: Judith Wright and the Academy

A Gendered Bush: Mansfield and Australian Drovers’ Wives

From Kath Walker to Oodgeroo Noonuccal? : Ambiguity and Assurance in *My People*

Re-Writing Woman: Genre Politics and Female Identity in Kate Grenville’s *Dreamhouse*

Allegory, Space, Colonialism: *Remembering Babylon* and the Production of Colonial History

A Tale of Two Countries: *Jack Maggs* and Peter Carey’s Fiction

The Art of ‘Cracking Normal’

Suburban Sonnets: ‘Mrs Harwood’, Miriam Stone and Domestic Modernity

Miles Franklin and ‘The Survivors’

Christos Tsiolkas and the Pornographic Logic of Commodity Capitalism

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

Eurydice’s Curse: J. M. Coetzee and the Prospect of Death

The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*