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- ‘What You See Must Be Other’: Language and Eros in the Poetry of Richard Kelly TippingEssay1 May 1988
- Tranter’s PlotsEssay1 May 1989
- Wildness and Wilderness: Anti-pastoralism and the Problematic Politics of Edward AbbeyEssay30 June 2015
- Voyage and Kaleidoscope in George Johnston’s TrilogyEssay1 October 1973
- Vance Palmer and the Unguarded AwarenessEssay1 May 1974
- John TranterEssay1 October 1977
- *Salt*: An Australian Second World War Journal and Its ContemporariesEssay1 May 1993
- Long Memoried Women: Oodgeroo Noonuccal and Jamaican Poet, Louise BennettEssay1 November 1994
- Anzac, Literary Genre and MemoryEssay1 October 1996
- ‘Greetings to the Angry Penguins’: Ern Malley, Harry Roskolenko and USA ConnectionsEssay1 May 1996
- Reading *My Brilliant Career*Essay1 October 2002
- ‘Those Ungodly Pressmen’: The Early Years of the Brisbane Johnsonian ClubEssay1 May 2003
- Mudrooroo: Crafty Imposter or Rebel with a CauseEssay1 October 2004
- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014
- Site Unscene: Medial Ideology and the Literary InterfaceEssay19 December 2019
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- Revaluing Memoir and Rebuilding Mothership in Maggie Nelson’s *The Argonauts*Essay28 April 2020
- ‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical ReceptionEssay1 May 2005
- Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*Essay23 May 2022
- Evaluating Literary Studies [FOR 4705] in Australia: Bad Data, Bad Peer ReviewEssay30 October 2023