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- Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.Essay10 August 2016
- Challenging the Editing of the Rachel Henning LettersEssay1 October 1994
- Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore FerrarEssay30 September 2021
- **Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**Essay29 October 2020
- Capricornia : Seasonal, Diurnal and Colour PatternsEssay1 October 1979
- Means and Ends in WritingEssay1 October 1979
- Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*Essay30 May 2015
- A Critical Review of Writings on The Vocabulary of Australian EnglishEssay1 December 1963
- Themes and Imagery in *Voss* and *Riders in the Chariot*Essay1 June 1964
- Louis Stone’s ‘Jonah’ : A Cinematic NovelEssay1 June 1965
- The Radiant Dream : Notes on Henry KendallEssay1 October 1969
- The Prototype of Richard MahonyEssay1 May 1970
- The Reconstruction of Self: Background and Design in George Johnston’s Meredith TrilogyEssay1 October 1984
- Discoveries and Transformations: Aspects of David Malouf’s WorkEssay1 May 1984
- Kipling’s Visit and the Early Reception of His Books in Australia (1889-1900)Essay1 May 1985
- The Poetry of Les MurrayEssay1 May 1985
- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- Rufus Dawes and Changing Narrative Perspectives in *His Natural Life*Essay1 May 1986
- Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*Essay1 October 1986
- David Malouf’s *Child’s Play* and ‘The Death of the Author’Essay1 May 1988