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Means and Ends in Writing

The Fortunate Flâneuse

Henry Kingsley: *Ravenshoe*

Bruce Dawe and Frank Sargeson : Speaking in Other Voices

Discoveries and Transformations: Aspects of David Malouf’s Work

Mateship, Individualism and the Production of Character in Australian Fiction

John Tranter: Absence in Flight

Drama’s Vitallest Expression: The Fiction of Olga Masters

Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*

The Craftsmanship of Lawson Revisited

‘Maurice Guest’ and the Siren Voices

Marcus Clarke: ‘Christianity is Dead’

Recoil from Disorder: David Ireland’s *The Chantic Bird*

The Poetic Narrative of R.D. FitzGerald’s ‘Between Two Tides’

‘realer than the Real’ : Francis Webb’s 'Ward Two'

Patrick White’s Novels and Nietzsche

The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*

Hal Porter, *The Tower* and the Quintessence of Porterism

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

Dramatising the Self: Beverley Farmer’s Fiction