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- Mateship, Individualism and the Production of Character in Australian FictionEssay1 October 1984
- John Tranter: Absence in FlightEssay1 October 1986
- Drama’s Vitallest Expression: The Fiction of Olga MastersEssay1 May 1987
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- The Craftsmanship of Lawson RevisitedEssay1 October 1976
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Marcus Clarke: ‘Christianity is Dead’Essay1 October 1973
- Recoil from Disorder: David Ireland’s *The Chantic Bird*Essay1 October 1978
- The Poetic Narrative of R.D. FitzGerald’s ‘Between Two Tides’Essay1 October 1978
- ‘realer than the Real’ : Francis Webb’s 'Ward Two'Essay1 May 1979
- Patrick White’s Novels and NietzscheEssay1 May 1980
- The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*Essay1 October 1980
- Hal Porter, *The Tower* and the Quintessence of PorterismEssay1 June 1991
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*Essay1 November 1998