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- ‘Deep Ancestral Voices’: Inner and Outer Narrative in Christopher J. Koch’s *Highways to a War*Essay1 May 1997
- ‘By What Sign / Are You Walking?’: The Poetry of Judith RodriguezEssay1 October 1997
- Much Ado about Everything: The Melbourne Shakespeare Society 1884-1904Essay1 May 2000
- How to Use a Street Directory: Detail and Knowledge in the Work of Alan WearneEssay1 November 1998
- ‘Unrelaxing Fortitude’: Susannah FranklinEssay1 October 2002
- Fold in the Map: Figuring Modernity in Gail Jones’s *Dreams of Speaking* and Elizabeth Knox’s *Dreamhunter*Essay1 October 2007
- Bottling the Forbidden Fruit: Marion Halligan’s FictionEssay1 October 2008
- Review of *The Memoirs of James Hardy Vaux, Including his Vocabulary of the Flash Language*, edited by Noel McLachlanReview1 June 1965
- Authors’ Statements [Morris Lurie]Essay1 October 1981
- Authors’ Statements [James McQueen]Essay1 October 1981
- Dreams and Visions in *The Tree of Man*Essay1 October 1973
- Christine TownendEssay1 October 1977
- Martin Boyd as ‘Walter Beckett’Essay1 May 1978
- ‘realer than the Real’ : Francis Webb’s 'Ward Two'Essay1 May 1979
- The Short Story Cycles of Frank MoorhouseEssay1 October 1990
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*Essay1 May 1994
- A Reconsideration of Christina Stead at Work: Fact into FictionEssay1 May 1997
- Ern Malley and His RivalsEssay1 May 2001
- The Fiction of Gabrielle LordEssay1 October 1999