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- The Prototype of Richard MahonyEssay1 May 1970
- *The Young Cosima*Essay1 May 1970
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Marcus Clarke: ‘Christianity is Dead’Essay1 October 1973
- Marcus Clarke’s *Chidiock Tichbourne*Essay1 October 1974
- Daniel Deniehy: A Checklist of Writings and SpeechesEssay1 May 1980
- Poetry and Politics in Oodgeroo: Transcending the DifferenceEssay1 November 1994
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- My Brilliant Career and 1890s GoulburnEssay1 October 2002
- Gender and Race Relations in Elizabeth O’Conner’s Northern HomesteadsEssay1 May 2003
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 October 2009
- Review of *The Fiction of Tim Winton: Earthed and Sacred*, by Lyn McCredden.Review25 February 2018
- Henry Lawson’s New Zealand Visits: A CommentEssay1 May 1969
- A New Light on ‘The Orange Tree’?Essay1 May 1971
- Proserpina and Pluto, Ariadne and Bacchus: Myth in Patrick White’s ‘Dead Roses’Essay1 May 1981
- Review of *Christopher Brennan: A Critical Biography* by Axel ClarkReview1 May 1982
- Heterotopias: Writing and LocationEssay1 October 1995
- Review of *Gail Jones: Word, Image, Ethics*, by Tanya DalziellReview30 April 2021
- Review of *Transcultural Ecocriticism: Global, Romantic and Decolonial Perspectives*, edited by Stuart Cooke and Peter Denney.Review11 December 2022
- Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*Essay7 December 2016