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- Transgressing Language?: The Poetry of Ania WalwiczEssay1 May 1996
- ‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul SolangesEssay1 May 1998
- Origin, Identity and the Body in David Malouf’s FictionEssay1 May 1999
- Ern Malley and His RivalsEssay1 May 2001
- Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned KellyEssay1 May 2002
- My Brilliant Career and 1890s GoulburnEssay1 October 2002
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- ‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous MelbourneEssay1 May 2003
- Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*Essay1 November 1998
- Gender and Race Relations in Elizabeth O’Conner’s Northern HomesteadsEssay1 May 2003
- *Geoffry Hamlyn* and Its Australian SettingEssay1 June 1963
- ‘Talking with Yagan’s Head’: The Poetry of John MateerEssay1 October 2000
- Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley WalkerEssay1 May 2004
- Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of RepresentationEssay1 November 2009
- The Golden Fish: On Reading J. S. HarryEssay1 October 2005
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*Essay1 October 2008
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- Minding Elephants and the Rhetorics of DestructionEssay1 June 2010