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- *His Natural Life* and Its SourcesEssay1 May 1971
- The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*Essay28 October 2021
- ‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.Essay28 April 2020
- The Dual Nature of Shaw Neilson’s VisionEssay1 May 1972
- Treating Dora in *His Natural Life*Essay1 May 2003
- Wilde Identifications: Queering the Sexual and the National in the Work of Eve LangleyEssay1 October 2002
- Demidenko/Darville: A Ukrainian-Australian Point of ViewEssay1 October 2004
- ‘Phrases Between Us’: The Poetry of Anna WickhamEssay1 October 2005
- The Literary Destruction of Canberra: Utopia, Apocalypse and the National CapitalEssay1 May 2009
- New Directions in Australian Literary Studies?: A Preliminary Discussion in Three ArticlesEssay1 October 1999
- Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’Essay30 September 2022
- How Australia’s Literary History Might be WrittenEssay1 May 1983
- Ecopastoralism: Settler Colonial Pastoral Imaginary in the US West and Australian OutbackEssay30 June 2015
- Aboriginality in *Ethel Turner’s Seven Little Australians* and Its Translation into GermanEssay1 November 2015
- Havelock Ellis’s Australian IdyllEssay1 June 1967
- *The Young Cosima*Essay1 May 1970
- ‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great WarEssay1 October 1985
- John Tranter: Absence in FlightEssay1 October 1986
- The Craftsmanship of Lawson RevisitedEssay1 October 1976
- Jindyworobaks and AboriginesEssay1 May 1977