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- Capricornia : Seasonal, Diurnal and Colour PatternsEssay1 October 1979
- Means and Ends in WritingEssay1 October 1979
- The Making of Thomas KeneallyEssay30 May 2015
- Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian GrayEssay1 November 2015
- Between Scylla and Charybdis : ‘Kangaroo’ and the Form of the Political NovelEssay1 October 1970
- Themes and Imagery in *Voss* and *Riders in the Chariot*Essay1 June 1964
- Xavier Herbert: *Capricornia*Essay1 October 1970
- *The Young Cosima*Essay1 May 1970
- A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)Essay1 May 1983
- A New Version of Pastoral: Developments in Michael Wilding’s FictionEssay1 October 1983
- Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical NovelEssay1 May 1986
- John Tranter: Absence in FlightEssay1 October 1986
- Anthologies and OrthodoxiesEssay1 May 1987
- A.B. Facey’s Australian AutobiographyEssay1 May 1987
- Impossible Literary HistoriesEssay1 October 2010
- Price Warung: Some Bibliographical Details and a Checklist of the StoriesEssay1 October 1968
- Recoil from Disorder: David Ireland’s *The Chantic Bird*Essay1 October 1978
- Patrick White’s Novels and NietzscheEssay1 May 1980
- The One-Actor Play in Australian DramaEssay1 May 1981
- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991