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Review of *The Experimental Fiction of Murray Bail* by Michael Ackland

Review of *Cosmological Readings of Contemporary Australian Literature: Unsettling the Anthropocene* by Kathrin Bartha-Mitchell

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

The Making of Thomas Keneally

The Reconstruction of Self: Background and Design in George Johnston’s Meredith Trilogy

‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s Fiction

The ‘Literary Photographs’ of Henry Lawson

Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*

Criminal Transport: George Barrington and the Colonial Cure

Not Reading the Nation: Australian Readers of the 1890s

Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’

Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive Senior

The Return of the Fairy: Australian Medievalist Fantasy for the Young

The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*

Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary Narratives

‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short Stories

‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into Italian

Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’

After Libertarianism: An Interview with Michael Wilding