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The Ends of Empire: Australian Steampunk and the Reimagining of Euro-Modernity

By Association: Crafting Mission and Values Statements for the Australian University Heads of English

'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special Issue

Recentring Water: Thinking with the Chain of Ponds

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’

‘Listen        to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie Scarce

Back to Whitton Week: Tracking Tom Keneally's Career

‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.

Jack Lindsay’s Historical Writings

Annual Bibliography of Studies in Australian Literature : 1965

Annual Bibliography of Studies in Australian Literature : 1969

Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British Connections

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

Justice, Sacrifice and the Mother’s Poem

‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic Omeros

On Appropriation: Two Novels of Dark and Barnard Eldershaw

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

Annual Bibliography of Studies in Australian Literature: 2005