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- **Review of *Last Letter to a Reader: Essays*, by Gerald Murnane**Review2 May 2023
- What is Australian Popular Fiction?Essay3 December 2018
- **‘Ordinary Readers’ and Political Uses: Re-Examining Helen Garner’s Non-Fiction Writings about Filicide**Essay29 October 2020
- Poetry into Life, Life into Poetry: Judith Wright and the AcademyEssay1 May 1979
- Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)Essay5 July 2019
- ‘Nearly all deep fertile soil’: Les Murray, His Son and AutismEssay23 May 2022
- Helen Garner’s EducationEssay28 October 2021
- Gerald Murnane’s Class: A Review of *Murnane*, by Emmett StinsonReview25 May 2024
- Aboriginal Women's Life-History Writing, Settler Reading and *Not Just Black and White*Essay11 December 2022
- *In the Heart of the Country* and Pain: Re-reading Space, Gender and AffectEssay25 February 2018
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore FerrarEssay30 September 2021
- Bridging Distances: Ruth Park’s *A Power of Roses* (1953)Essay3 October 2024
- Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney LiteraturesEssay25 May 2024
- Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ FictionEssay3 December 2018
- Teaching the Value of Literature (and Other Paradoxes)Essay30 October 2023
- The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*Essay7 December 2016
- Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of CloudstreetEssay26 February 2017
- ‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical ReceptionEssay1 May 2005
- Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*Essay23 May 2022